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2021 was a lighter reading year for me in terms of the quantity of books I read. I simply didn't have the capacity to go hard in the biblio paint. I also strove to lean into reading for pleasure and to read longer books than my typical novella affairs. And by the metric, 2021 was a success! Still, several books rose above the rest. What follows are my 10 favorite reads of the year. (You can find the full list of books here.)
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The latest issue of The PostScript — the editorial wing of ScriptHero — dropped this week. This is only the second issue, but I'm incredibly proud of the progress we've made from issue one to two.
For the unaware, here's the mission statement of The PostScript: In the same way that letters often end with a postscript, this digital magazine aims to be the final word on prescriptions and healthcare. You’ll see this elevated editorial approach throughout The PostScript — from the illustrations to the depth and clarity of the content. During once-in-a-generation events, a sense of before and after settles in. A fellow creative the other day was musing about the difference a few months make, as earlier this year he was flying daily to different destinations as part of a book tour — shaking hands, signing books, engaging with others face-to-face. Today, those interactions, that world is unthinkable.
Another friend the other day mentioned how he bought a commemorative poster for a cancelled music festival he attends every year with friends. He wanted to support the fest, he said, but he also was interested in the historical documentation the poster represented. My efforts in this regard are lo-fi and low-key; the energy required for much else is non-existent. Said another way: I'm not capable of much more than staying home and making zines — albeit crappy hand-drawn (or messily collaged) ones. Still! I'm quite happy with some of these results. Reading is my go-to escape. As much as I want — need! — to escape right now into a book, I'm struggling. My input has jumped off a cliff, and that usually means my output is close to follow.
Though I already practice many of these tips to keep reading from Austin Kleon, being reminded of them has given me a burst of momentum. Are you still reading? How are you keeping focused? I can't recall the exact statistic, but it's something like 10% of Americans don't know whether they have health insurance — let alone the meaning behind phrases like "high deductible health plan." That seems crazy to me. So as part of my role at CoverMyMeds, I launched a digital magazine on the prescription industry, with an aim to educate Americans on this critical issue.
Our latest article is live. It's an FAQ-style piece answering some of our most-common questions at ScriptHero around the coronavirus. We've also published our first "issue," a collection of six stories, all themed around buying prescription drugs. This week I went to Atlanta for a few of focus group sessions led by our ad agency. It was the first time I'd been to this city in 23 years. I know the years specifically because my last visit was for the Olympics. Nothing this trip topped that experience, but I had fun nonetheless.
As a huuuge “Hellboy” fan, I was so thrilled to hear its creator, Mike Mignola, talk about his influences Friday during the keynote event for Cartoon Crossroads Columbus.
The hour-long conversation with “Bone” creator Jeff Smith was filled with insights into his creative process and inspirations, so, of course, I had to document them. Cartoon Crossroads Columbus (CXC) is one of my annual favorite events in the city, and this year, with "Hellboy" creator Mike Mignola the keynote, is especially exciting for me.
Check out my Alive piece to see what else has me geeking about this weekend. By the time I had discovered them, I had already been listening to standard suburban (in my case, rural) white boy fare like the Beasties, Tribe, and Arrested Development, but even still, Wu-Tang was a first for me—a gateway drug, if you will.
This was rap-rap. Street rap. Hard rap. Gritty tales of lives I couldn’t possibly relate to. And yet there was so much I could relate to. |
Justin R. McIntosh
(@justinrmcintosh) is a writer and editor blogging about writing and editing (sometimes also literature, comics, hip-hop and religion) SUBSCRIBE |